As you know, I’m a busy guy. So when I have the opportunity to take on one more project, well, you know my answer is going to be, “Yes!”
The latest addition to my crazy weekly schedule has been as a writer for a new animated series, “The Great AdVenture.” It’s a series based on the main characters of a couple of phone games, “Adventure Capitalist” and “Adventure Communist.”
It’s pretty amazing how everything in my life contributed to me being able to play in this arena.
I’ve always wanted to be a screenwriter. When KLSY dropped me off on the front porch of unemployment, I thought, “Well, there’s never been a better time to get writing.” So, each day, I got up at 7 and spent the entire day writing, like it was my job. During that time, I managed to get a couple of screenplays done. Then, later, I teamed up with a partner and we wrote both a screenplay and a couple of scripts for a possible TV series. None went anywhere, but please, make an offer.
So, as I honed that skill, I stayed in touch with a woman that had interned at KLSY and went on to do a lot of show biz things, including attending Jim Henson’s school, she interned on “Saturday Night Live” and then headed to Hollywood to became quite the accomplished writer for movies and TV, especially for her passion, animation. Meet Libby Ward.
At the same time I found myself out of work and started writing movie scripts, I eventually found a job with a local advertising agency. While there, I met a driven person named Kevin Urie. He was an account manager, but had bigger things in mind. He was the president of Seattle’s Social Media Club, when that was all starting out. At that time, it was the largest chapter in the U.S.! Through that, he made lots of biz connections and went through a series of job that included a gig at Microsoft and eventually, landing a position with the above-mentioned Canadian game company, Hyperhippo. Knowing I was a comedy-writing guy, he put me in touch with the folks in the company who were trying to launch this new animated series.
Initially I wrote some commercials for the games. But finally, the big moment arrived when they started assembling the team that would make their dream of an animated series happen.
That’s when I dragged in Libby to the project. She had lots of actor contacts and grabbed some key folks to bring the characters to life, vocally. I brought in Scott Burns, a Seattle-based voice actor who is also a radio brother. For years, we had worked across the dial from each other but never together. When Scott became the audio production director at the ad agency where I worked, we became fast friends.
This truly is a modern-day effort. With producers up in Canada, actors in Hollywood and Seattle, a Hollywood/Seattle writing team and animators in Nebraska, we’re all cyber-connected and acting as if we were in the same studio.
The idea of the series is to make them very reflective of the times. So, even though an episode was written several weeks before, once the animation is done, we’ll insert a couple of lines that refer to things that happened this week. In our first episode, we had a few. But over time, we’ll get this down to a science.
On October 3rd, 2020, we put out our first episode, which is done in a three-part style so they can use each of the parts as free-standing contributions to their social media efforts. And so, the great experiment has begun.
Will it continue? We were signed for an initial agreement of ten scripts. The plan is to produce those and then weigh in if they’re considered successful. If so, this could be a year-round effort, with multiple ten-week seasons. We shall see.
In the meantime, my great adventure with being a writer for an animated series is off. Each trio of episodes are under five minutes long, so it won’t be a major time commitment. Here’s episode one, see what you think.
Thanks for watching and now you know one more thing that I’m up to these days. Yeah, I’m a busy guy.