It’s Just a Guitar

Not really.

Those outside the music world probably can’t appreciate the significance and importance of a instrument. I mean, c’mon, it’s wood, some fiberglass, strings and you strum on it, right?

My wife’s cousin’s husband, Donnie Dacus, has put his ‘Angel’ up for sale. He posted this vivid description of its importance and how much it is a part of his story in this Facebook post this week:

My Angel – The “Alive Again“ Guitar

“Angel”, my Stratocaster,  was acquired in Hollywood Calif. from Arturo Valdez, “Guitar Maker to the Stars”. He had suggested that this guitar, which he had restored, was a perfect match for my guitar skills. He had worked on all of my guitars and Valdez comes with a Who’s Who of credentials. I have included his info here.

“Angels” first coming out party was the mid 70’s.

Her first gig with me at the Greek Theatre in Hollywood, CA. I was playing guitar with Boz Scaggs on the ‘Silk Degrees’ Tour. She sang true and in the backup band were members of Toto, David Paige and myself, along with, and of course, Boz Scaggs.

After a long US tour playing the largest venues in the country, we found ourselves on the next tour with Kiki Dee and singing beside Elton John at the Roxy in Los Angeles. After a tour through the U.S. we wound up in New York playing with Kiki Dee in a large festival in Central Park to thousands of fans.

After the tour, “Angel” lived with me while I was starring in the the Motion Picture, “ Hair “, directed by Milos Foreman. She was my direct source to an instrument and comfort during that time.

After 10 months of filming we left unexpectedly, flying back to Los Angeles after hearing of Terry Kath’s untimely death by Russian Roulette. I had been introduced as a guitarist to audition for his replacement after the band Chicago had auditioned more than 40 guitarists for the position. We took quite a chance, as we were not allowed contractually to leave New York due to filming rights.

Angel sang again clearly as we began the rehearsal playing the song “Feelin Stronger Everyday“. To my surprise, we–Angel and I–were chosen as band members to begin recording immediately after my filming was completed. She is the guitar you hear on most all of the tracks on the albums, Hotstreets and Chicago 13, VI Chicago Decades Live on “ Little One “ and prominently on the intro to “Alive Again”, which was played at the Super Bowl in 1978.

She played in front of more than 120,000 plus concert goers and appeared on the Sun-Times and Chicago Tribune front page with our picture together. We were featured in People Magazine October 13th, 1978.

Angel has played in front of millions of concert goers and her last prominent gig was on Saturday Night Live on “I’m a Man” during the end of 1979.

I have decided its time for her to fly again and share her story whether on stage or in person. She is bruised, scratched, and has changed in attitude but she has won many victories and fought many a musical battle. She won countless times.

She has traveled the world on more than 3 continents and been played by Leo Fender himself in his personal lab near Anaheim, CA. Leo Fender made several guitars for me as well. Wow!

Angel comes with Multi-Platinum and Multi-Gold Record status.

Please message me regarding sale of this collectable item. Cash Only. Please, only serious collectors

I know it pains Donnie to let this guitar go. If you have an interest or know someone who might, please pass along their information and we’ll connect them.
Tim Hunter

Makes Me Smile

For a few moments, let’s escape the craziness of our world and come along with me on the adventure of a guy I know with an absolutely fascinating life.

I like to fill up my blogs and podcasts with topics I feel you’d probably like to hear about. Maybe a fact you didn’t know or introducing you to a cool person that I’ve had the good fortune of meeting.

 

The Donnie Dacus story (pronounce that DAY-cuss) will, one day, be a must-read book. I know that because he’s been working on one. The quick beginning and end of Donnie’s story is that he was born in Texas and learned how to play a guitar something fierce and then, fast-forwarding to today, he’s married to my wife’s cousin and lives in Florida.

Now for the fun part–filling in the middle.

Knowing that his life’s story in book form is eventually going to come your way, I’ll lightly touch on just some of the key points I’ve become privileged to hear over the years. When I first found out who he was, I immediately headed to Wikipedia.  There, you’ll see he picked up a guitar and was teaching music and in a band by age 14.  In the years to come, he would be one of the main characters in the movie version of “Hair”, take over lead guitar duties for Chicago in the aftermath of Terry Kath’s death, play with Badfinger and write songs with some legendary musicians. One of those musicians stiffed him and actually used some of his songs without compensating him. Like I said, I’ve been privy to some awesome stories that will find their way to that book, but the best one has to be when a major rock group called to ask him to join their band (a group you’ve heard of and which is still out there performing) but a meddlesome manager intercepted the phone call and told the band that he wasn’t interested.

He would only hear about it years later.

Every couple of years, we get together with Donnie and his wife, to get caught up, do a little hanging out, go to dinner, drink fine wine, talk about family. On occasion, he’ll even get out his guitar and play a song or two he’s been working on.

After a lot of success in his early years, Donnie was pushed to the outside of the music biz. He was unceremoniously kicked out of Chicago and that created a sore point that lasted decades. But, as is true with everyone, as musicians get older, they remember the good old days and the people with whom they shared the journey. A couple of years ago, Peter Cetera invited Donnie to come and join him on stage one night. The gigs started coming back as did the love of getting up on stage and  showing an appreciative crowd what he’s got. Then, Danny Seraphine, former Chicago drummer, along with former bandmate Bill Champlin invited Donnie to join them on a brief tour of Japan as part of California Transit Authority.

Donnie just returned home this past Monday and while we haven’t chatted with him about it yet, we did get this video from one of their performances.

The quality’s not great and there will be no cinematography awards for this one, but what you’re seeing is a man doing exactly what he loves to do. It would have been so easy for him to say, “No, those days are over.”  But they’re not and if had any doubts going in, they’re gone now. With a bunch of sold-out shows behind him, Mr. Dacus is back and he’s here to make music.

Congrats, Donnie. It’s great to see you return to living the dream. Your dream.

But eventually, could you get around to finishing that book?

Tim Hunter

 

P.S. Just found this review on their recent concert tour

My Cousin-In-Law Donnie

That's Donnie back in his Badfinger days on the far right

That’s Donnie back in his Badfinger days on the far right

We’re wrapping up a week of a staycation, where you actually stay put in the beautiful place you live rather than spending a bunch of money to fly somewhere.  Joining us in our exploration of our hometown were my wife’s cousin and her husband, Donnie Dacus.
I already knew quite a bit about Donnie going into this–a former guitar player for Chicago and a principal character in the movie version of the musical, “Hair.”  Needless to say, the guy has a million stories in him and, if you ask, he’ll tell.  And I do.

If you read the Wikipedia link above, you’ll see some of his other musical achievements, such as being among the backup singers on Billy Joel’s “My Life.”  While we explored the San Juans, Pike Place Market and Snoqualmie Falls, he was totally open to questions like, “What about Joe Walsh?” or “What was the deal with Badfinger?” (a Beatles-eque group from the 1960s that seemed cursed–two of their lead singers committed suicide.  Donnie played with a latter version of the group)

Every question I asked sent him off into a different direction of music history.  I can’t tell you how many times I’ve said to him, “Man, we should be recording this!”  He’s got enough for a book full of music industry stories and he’s told me that he’s working on one.  It would be a shame for these stories to simply disappear one day.

But that’s not my decision, not my call, so in the meantime I’ll just keep enjoying them as they’re told. All it takes is putting on some music from the 1970s and then asking, “So, did you play with them?”  And we’ll begin another stroll down Music History Lane.

And now you know a little bit more about my cousin-in-law, Donnie.

Tim Hunter